My research is situated in neuroaesthetics and empirical aesthetics, especially around embodied aesthetic experience, low-semantic visual content, and the appreciation of visual art beyond fluent or pleasure-based models. I use fNIRS and EEG in neuroaesthetic experiments, and I often use computational modeling to understand and explore aesthetic mechanisms;
My art practice explores bodily, material, and uncomfortable forms of experience, using bitterness, pain, and tension to express personal and collective suffering and their alongside wishes. I often work with everyday materials, and combine them with AI, data, HCI, and interactive systems to create participatory artworks.
\我的研究位于神经美学与经验美学的交叉领域，主要关注具身审美体验、低语义视觉内容，以及超越流畅性或愉悦导向模型的视觉艺术欣赏。我使用神经成像技术开展神经美学实验，并借助计算建模理解和探索审美机制；
\我的艺术实践关注身体性、物质性与不适感，通过苦涩、疼痛与张力，表达个人与集体的苦难，以及与之相伴的祈愿。我使用日常材料进行创作，并将其与人工智能、数据、人机交互和互动系统相结合，创作参与式艺术作品。
Although my empirical research and my art practice are not always directly connected, they share a similar concern: the body, materiality, vulnerability, and experiences that cannot be fully explained through smoothness, pleasure, or simple understanding.
\尽管我的实证研究与艺术实践并不总是直接相连，但二者始终关心着相近的问题：身体、物质、脆弱性，以及那些无法仅通过流畅、愉悦或简单理解来解释的经验。
